Poetry

   

Truth


I’ve accumulated months and years of it,  

stuffed it into little drawers 
and cannisters, tins and jewelry boxes, 

crammed decades of it into trunks 
and cartons and crates. And I was sitting 

at the kitchen table making a list 
when the Past strolled in the back door 

and started in bitching about some insult 
or slight from some party or barbeque 

in 1973 nobody can even remember. 
And the kids keep running in and out, 

blinding light sprayed everywhere like water 
from a sprinkler, and a house wren 

on the lawn, asking nothing, and the tall spruce 
beside the hedge, asking nothing, 

the kids getting a drink of water 
at the sink, laughing, making some crazy plan 

for the afternoon, something to do 
with string and popsicle sticks they’ve just 

invented, letting the screen door slam,
tracking in dirt, running through 

all that empty space, all that light. 
                           --John Glowney

Visitation (The Baltimore Review)


Break It, You Own It 


Honestly, though, it was always broken, 
which is the whole point, that is to say,
when this world first whirled 
and popped into existence 
out of nothing’s sticky grasp,

the ur-broken thing, when it had wings 
that glinted wildly in the suffused
and charged plasma, when it cascaded off 
the cliff of itself 
a mountain waterfall in native sunlight; 
when the newly minted  
honey bees, still smoking a little from
the tiny forges that made their immaculate 
and fragile bodies, shook the pollen-dust 
of a violet, left a tell-tale film
on the velvety atoms of air, 

when the first honey bees 
so insisted upon new life they went 
flower to flower--back when this world wanted
to be called Volcano of the Lilies, 
not Rage Monster or Resentful Lover, not Plague Addict or
Reservoir of Ashes--even then, broken, yet fresh
with new blooms,
it was yours. 
                                        --John Glowney

Visitation (The New Ohio Review)


A Map of Australia 

Hellish beauty--a map so crowded with fire
symbols they look like mushrooms 
bunched along a tree root, or little geisha fans, 

guitar picks, fish scales--red and yellow 
clusters trimming a continent 
with a ruffle of flame. A billion dead 

animals littered over char, and abstracted
this way means I can’t actually see
the carcasses but they say they are  

saving a few: arboreal koalas, evicted 
from eucalypt woodlands, wallabies,  
of the Macropodidae family, 

as are the singed kangaroos, marsupials, 
the big jacks 
with their long limbs bound and taped 

like a prize fighter’s hands.
I can’t bear to look at them, anyway,
the cattle lying down in the smoke,

the glossy black cockatoo,
the Wollemi pines, conifers really, 
secret canyon of stragglers, Lazarus

taxa, diaspora of the Cretaceous, 
the ashy small towns, the panic-
stricken mothers on the beach, 

hurrying to snatch up the smallest 
children, rushing into the surf, 
into rowboats. They are all 

so out of place, the shelters 
collecting handmade
joey pouches, all these wild things,

in the arms of medics, 
or volunteers,
or the cold, frantic sea.



(Visitaton)